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    Frigg

     
    Frigg Norse Goddess & Odin’s Wife and goddess of marriage.
    Frigg, also called Friia, in Norse
    mythology, the wife of Odin and mother of Balder. She was a promoter of marriage and of
    fertility. In Icelandic stories, she
    tried to save her son's life but
    failed. Some myths depict her as the weeping and loving mother,while others stress her loose morals. She is the goddess of motherhood and is
    herself the mother of Balder, Hodor and Hermod. Frigg is also the goddess of marriage and her name comes from the
    verb "frija" = to love.
    While the male gods may steal the show in most Norse myths, Asgard had its fair share of Norse goddesses.
    Principal among them was the Norse goddess Frigg, also sometimes called Frigga, who was the queen of Asgard, Odin’s wife and the mother of Balder, the favourite son.As this description shows, Frigg was predominantly known through her relationship to men as a wife and mother. Nevertheless, Frigg was an important Norse goddess in her own right.
    Beloved One
    Frigg, or Frigga, means beloved in Old Norse, and is probably a reference to her role as the consort of Odin, the king of the gods. But this was not her only function. Frigg was also a sky goddess and a Norse goddess of the moon, but her main role was as the Norse goddess of the household, linked with motherhood, love, fertility, marriage and the domestic arts.In terms of domestic life Frigg, a mother herself, may have helped some women to have children. According to one source, a barren king and queen prayed fervently for children, and it was Frigg who heard their prayers and took the issue to Odin. As a domestic goddess she was also associated with domestic arts such as spinning, and according to some stories, Frigga wove the clothes of the gods from the wool of the cloud sheep. Frigga’s symbols were the spinning wheel, mistletoe and silver.
    But, as the queen of Asgard, Frigg’s power was more than just that of a mother and household matron. For example, she was also the lady of the hall, and it was her duty to carry the mead horn around at feasts. Considering the important role of feasting in diplomacy, Frigga was also associated with this art, and the Norse goddess was called on by leaders to ensure smooth and beneficial negotiations.Finally, Frigg is thought to have been able to see the fate of all beings, but she chose never to speak of what she saw. It is said that Frigga saw the fate of both her son Balder and her husband Odin, but she seems to have been powerless to change the course of events.
    As the Norse goddess of the home, it is no surprise that Frigg was one of the Norse goddesses most venerated by the Vikings.She is often described as the most important Norse goddess in the Asgardian pantheon, and, aside from Odin himself, she alone was able to sit in Odin’s throne which allowed him to look out over the nine worlds and see all things. The force of her importance is preserved in the English word Friday, which is derived from Frigedaeg, which means ‘Frigg’s day’.







     



    Freyja
    In Norse mythology, Freyja (Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother (Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, and is frequently sought after by powerful jötnar who wish to make her their wife. Freyja's husband, the god Óðr, is frequently absent. She cries tears of red gold for him, and searches for him under assumed names. Freyja has numerous names, including Gefn, Hörn, Mardöll, Sýr, Vanadís, and Valfreyja.Freyja is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; in the Prose Edda and Heimskringla, composed by Snorri Sturluson in the 13th century; in several Sagas of Icelanders; in the short story "Sörla þáttr"; in the poetry of skalds; and into the modern age in Scandinavian folklore.
    Scholars have debated whether Freyja and the goddess Frigg ultimately stem from a single goddess common among the Germanic peoples. They have connected her to the valkyries, female battlefield choosers of the slain, and analyzed her relation to other goddesses and figures in Germanic mythology, including the thrice-burnt and thrice-reborn Gullveig/Heiðr, the goddesses Gefjon, Skaði, Þorgerðr Hölgabrúðr and Irpa, Menglöð, and the 1st century CE "Isis" of the Suebi. In Scandinavia, Freyja's name frequently appears in the names of plants, especially in southern Sweden. Various plants in Scandinavia once bore her name, but it was replaced with the name of the Virgin Mary during the process of Christianization. Rural Scandinavians continued to acknowledge Freyja as a supernatural figure into the 19th century, and Freyja has inspired various works of art.
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